Some visual advice for an accurate balance - I cannot for the life of me increase the volume on the bass trombone, or I would, so start by turning that all the way up. I've merged the solo strings into the section sounds to give them a bit more of a characteristic timbre.ģ Celli Soli - not sure if this was added earlier Some of the brass is more looped - the trombone is something of a nightmare to loop. Eventually I'll add another velocity layer, or just remake it entirely. a beautiful tone friendly volume, but you do get a properly chunky low register, which makes it awesome for second clarinet. Another was not doing proper fff up top - I don't live alone, and I do not recommend playing altissimo as loud as you can outside of wagner, marching band, a for-real fff tutti, or a very soundproof room. One of the mistakes I made was trying to do everything fff. It is not looped, and on one note - a concert f4, I think, second line g for Bb clarinet, I ended it.lazily. Laura's clarinet is good for 2nd parts - it is at least a real clarinet, even if I didn't know how to soundfont or microphone when I made it.
